End of the Road Movie Review: This poorly conceived movie overshadows Latifah’s efficiency

The unhappy half about End of the Road is that Queen Latifah, Lucacris, Mychala Lee and Shaun Dixon act slightly decently in a subpar and predictable movie. It begins off pretty effectively and continues to interact for the preliminary twenty-five minutes, however the sticky street journey takes a nosedive with its first improper flip, signaling the untimely unravelling of End of the Road, You cannot masks dangerous writing with plausible appearing performances, sadly.

Director: Millicent Shelton
Cast: Queen Latifah, Ludacris, Mychala Faith Lee, Shaun Dixon, Beau Bridges
Streaming On: Netflix

The premise of the movie, although bordering on cliché, has us on board with the hopes and desires of the black American household on the heart of the narrative. Brenda (Queen Latifah), an ER nurse, is pressured to surrender her dwelling in LA and transfer to the Deep South. She might not want to uproot her youngsters, Kelly (Mychala Lee) and Cam (Shaun Dixon), however the monetary burden from her late husband’s extended sickness has taken its toll, leaving her no selection within the matter. Her not-so-successful brother, Reggie (Ludacris), joins them for assist. He is not rolling in riches however his coronary heart has all of the room for his sister, niece and nephew. They make enjoyable of him for attempting too onerous to play the cool, hip uncle. And it is exactly this relatability that warms you to those characters.

At first look, they do not strike you as close-knit. But the banter, the within jokes, the fights and the deep familiarity simply go to show how united they’re. What End of the Road additionally makes you are feeling is empathy; the household has fallen on onerous instances and is seeking to catch a break in an trustworthy, respectable method. They have not deserved half of what life has been thrown at them (loss of life of a cherished one, foreclosures on their home, and so on.), but they proceed to battle the nice battle. This sentiment is embodied by Queen Latifah’s character all through the story, making her the undeclared head and ethical heart of this family…the particular person everybody turns to when the chips are down.

Up till their first brush with racism on the freeway, the movie does okay. A detour of 85 miles takes them right into a seedy, redneck city. You can broadly guess what’s arising subsequent, which is okay, as long as the therapy of the subject material is nice and the scenes will not be too predictable. The chase sequence from the fuel station, after Kelly flips off two lewd, younger white males, is effectively conceived and adequately unnerving. Brenda’s maturity involves the fore when she chastises her daughter for exhibiting poor judgement (“Do you know the kind of place we’re in?”) and holds her brother again from confronting the redneck duo. The following scene, through which she steps out to handle the boys bothering them with their obstructing truck, marks an intense second. She bites her lip, placing her private security and dignity on the road, and asks what it will take for them to maneuver their car. “An apology would be nice,” comes the response (for supposedly endangering their lives). They’re not pleased along with her matter-of-fact “I apologise” and inform her to say it like she means it. When she goes over the phrases, a caveat is added, forcing her to say, “I apologise for endangering your white lives.” This charged back-and-forth is undoubtedly the most effective a part of the movie. It represents the extent to which Brenda will go for the sake of her household and speaks to the still-rampant racism prevalent within the American south (particularly inside its small cities). While such a scene is anticipated (given the premise), it is the therapy (dialogue, appearing and general menace) that comes up trumps.

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This wonderful, unsettling juncture marks the movie’s finish of the street. From this level on, put together your self for one predictable cliché after one other. Caricatures for evil characters and moments of battle that just about flip your abdomen, the narrative wastes no time in destroying all that it might have constructed to this point. It is comprehensible to have some predictability in a movie set in a small, redneck city, however it’s the execution and writing that guarantee it will get slotted into the class of trashy freeway crime fare. Racist truckers, corrupt sheriffs, seedy bars and drug cartels – it is bought all of it…splashed in every single place like an affordable, Jackson Pollock knockoff. While Latifah & Co. try to carry their very own regardless of the woeful writing, it’s Beau Bridges’ character that pushes the movie deeper into the bottom. Poorly conceived and one-dimensional from the phrase go, it would not take a genius to determine he is a nasty apple. So a lot for surprises!

Even if End of the Road had added to the ‘unity and energy of household’ angle with a half-decent style script, it will have been sufficient. The finish end result solely makes you are feeling dangerous for Latifah, Ludacris, Lee and Dixon. Their appearing prowess may have been put to good use elsewhere.

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